Most singing teachers agree that both males and females have «head voice» as part of their sound. This term applies to the way the vocal cords vibrate and work once we sing high notes. I will go into the mechanics of the vocal cords in another article and in my courses, however for now let’s just understand that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate towards one another, turning air from our lungs into sound. For decrease sounds (the chest voice) the total size or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords must change in form and measurement with the intention to make high notes.
As we sing higher notes our two vocal cords move closer together and start to do what is called the «zipper effect». Higher notes require a smaller opening for the air to undergo, so a small miracle happens as the wire start to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, while you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords where you possibly can pass numerous air through without plenty of stress. And the high notes require a smaller opening between the cords. This smaller opening allows less air to pass by means of without stress. When we attempt to push too much air pressure (volume) by means of the cords for higher notes we cause them to work too hard resisting the additional air. This produces a very-fats, amateurish sound which sounds forced and difficult.
When we sing higher we «really feel» we must work harder to get these notes out. In truth, we have to back off some, feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Strive singing a sweeping steady «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound up to your highest notes. Discover that you will probably attain some extent when it appears you possibly can go no higher. Lighten your sound there and start to let it thin and really feel higher in your head. Guys, when you go into the falsetto that is OK for now. Allow you to voice do what it must do. Girls you’ll probably must move into your head voice at some point. That is ok. Just keep going, attempting not to strain.
Do this exercise usually, listening to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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