Most singing lecturers agree that both women and men have «head voice» as part of their sound. This term applies to the way the vocal cords vibrate and work after we sing high notes. I will go into the mechanics of the vocal cords in another article and in my courses, however for now let’s just understand that strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate against each other, turning air from our lungs into sound. For lower sounds (the chest voice) the total size or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in shape and measurement in order to make high notes.
As we sing higher notes our two vocal cords move closer collectively and start to do what is called the «zipper effect». Higher notes require a smaller opening for the air to undergo, so a small miracle occurs as the cord begin to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, when you think about it, it should take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords the place you may pass quite a lot of air by way of without a whole lot of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass by means of without stress. When we attempt to push an excessive amount of air pressure (volume) by the cords for higher notes we cause them to work too hard resisting the additional air. This produces a very-fats, amateurish sound which sounds forced and difficult.
After we sing higher we «really feel» we must work harder to get these notes out. In truth, we need to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Try singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continual sound up to your highest notes. Discover that you’ll probably reach a degree when it seems you may go no higher. Lighten your sound there and begin to let it thin and really feel higher in your head. Guys, in the event you go into the falsetto that is OK for now. Let you voice do what it needs to do. Girls you will probably have to move into your head voice at some point. That is ok. Just keep going, attempting to not strain.
Do this train typically, being attentive to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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