Most singing lecturers agree that both males and females have «head voice» as part of their sound. This term applies to the way the vocal cords vibrate and work after we sing high notes. I will go into the mechanics of the vocal cords in one other article and in my courses, but for now let’s just understand that strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to one another, turning air from our lungs into sound. For lower sounds (the chest voice) the total length or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in shape and dimension in order to make high notes.
As we sing higher notes our vocal cords move closer collectively and start to do what is called the «zipper effect». Higher notes require a smaller opening for the air to undergo, so a small miracle happens as the cord begin to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, while you think about it, it should take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords the place you’ll be able to pass a variety of air by way of without plenty of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass via without stress. Once we try to push an excessive amount of air pressure (volume) by the cords for higher notes we cause them to work too hard resisting the additional air. This produces an overly-fats, amateurish sound which sounds forced and difficult.
After we sing higher we «really feel» we should work harder to get these notes out. Actually, we have to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Attempt singing a sweeping steady «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continual sound as much as your highest notes. Notice that you will probably attain a point when it appears you may go no higher. Lighten your sound there and start to let it thin and really feel higher in your head. Guys, in case you go into the falsetto that is OK for now. Allow you to voice do what it must do. Girls you’ll probably must move into your head voice at some point. That is ok. Just keep going, attempting to not strain.
Do this exercise often, being attentive to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
If you liked this short article and you would like to receive extra facts concerning How to sing higher in chest voice kindly check out our own website.